Mike Zito

Played 2013 & 2018

About Mike Zito

Modern life moves fast. Rolling news. Rapid-fire tweets. A relentless barrage of (mis)information. Make Blues Not War is an album that demands you sign out, log off and turn yourself over instead to the old-fashioned pleasures of great music. “We hear about everything 24/7 now,” says Mike Zito. “The news never stops and it’s all become propaganda. But when you turn off the news and turn on some blues, the world is a beautiful place. I think music is the cure for all ailments. Always has been. Always will be.”

Released in 2016 on Ruf Records, Make Blues Not War is Mike’s second release since leaving the mighty Royal Southern Brotherhood, his 13th overall – and perhaps his most energetic to date. “Make Blues Not War is a really fun album,” he says, “chock-full of blues with lots of guitar playing. It’s a very upbeat record with intense energy. Blues should make you feel good, and I think this record serves the purpose well.”

That atmosphere of positivity began at the album sessions, as Mike tracked alongside Grammy Award-winning producer (and co-writer) Tom Hambridge at the Sound Stage Studios in Nashville, Tennessee. “It was so much fun,” he remembers. “It’s a completely live album, where the musicians all set up and we just hit record and went for it. The energy was awesome and sometimes we’d just be laughing so hard because it was all so intense and exciting.”

As the momentum gathered, the songs flowed, with Mike painting in every shade of blue, from the frantic showboating of “Crazy Legs” to the slow-burn of “Red Bird” and the smoky slide of “Girl Back Home”. “It was time,” he says, “to get back to the blues and playing my guitar. Tom and I had spoken about making a kick ass blues-rock album for years.”

Likewise, when it comes to Mike’s lyric sheet, these songs search for the silver lining in a troubled world. “I love writing songs and sharing deep feelings,” he says, “but I also like having fun and cutting loose – that’s what this album is all about. “Chip Off The Block” was written for my oldest son, Zach Zito, who is the featured guitarist on this track. It’s his first introduction into the music world and he did a great job. I couldn’t be more proud of him. He graduates college next spring and joins me on tour in summer – I can’t wait.”

“Road Dog,” adds Mike of the album’s wistful slow-blues travelogue, “is really the most serious tune on the album. It’s about the drama of life on the road. I know it can seem clichéd sometimes, but it’s the life I lead. I miss my family, miss my wife, but this is what I do. I always leave.”

Mike has spent over two decades on the run. He grew up in a hard-grafting blue-collar home in St. Louis, but after an early job at a downtown guitar shop exposed him to heavyweights like B.B. King, the Allmans and Eric Clapton (then Joe Pass, Robert Johnson and Blind Willie Johnson), he set out as a working musician. By 1997, Mike had released debut album Blue Room, and seemed to be going places. “The first time you hear yourself,” he recalls, “you think, ‘Wow, that almost sounds like music!’”

Then came the bumps in the road. By the post-millennium, alcoholism and drug abuse were threatening to rob Mike of his talent and livelihood: a period starkly addressed on the title track from 2011’s acclaimed “Greyhound” album. “I just couldn’t stop,” he admits. “And a lot of the opportunities that I had back then – they kinda went away.”

Thankfully, the epiphany of meeting his beloved wife put Mike on a new path. In 2012, he found fresh inspiration in the A-list lineup of Royal Southern Brotherhood, then struck out with acclaimed solo albums Gone To Texas (2013) and Keep Coming Back (2015). “I have many more hurdles to jump and more goals to strive for,” he says, “but I’m very pleased and thankful with how I’m developing as an artist.”

Now comes Make Blues Not War: another step up for this fascinating journeyman. “I’m so proud of this new album,” says Mike. “It’s about the enjoyment I get when I listen to Johnny Winter and Muddy Waters, Stevie Ray Vaughan and Luther Allison. Their music makes me happy and reminds why I wanted to play guitar and play the blues. To be free and honest, loud and proud. I hope everyone enjoys listening to this album as much as I enjoyed making it…”



What Passengers Think

My husband and I took a chance and booked our first ever cruise in December 2011 after listening to a radio commercial about a cruise with ZZ Top, George Thorogood and John Kay playing and cruising with us (among many other great bands!). This was “Woodstock on Water”! We have been on every one since and have made many new friends who we correspond with throughout the year and look forward to seeing every year. There should be a different word than “Cruise” to describe this because it does not compare to a standard cruise by any means. Seeing- greeting-hugging-taking pictures with so many of our idols – PRICELESS!! Pam and the NAHA staff do an outstanding job and we always book as soon as each cruise booking opens – no need to wait to see who will be rockin’ us! If you like classic and southern rock and have not booked this cruise, do not wait or you’ll miss out. It sells out earlier every year. (Love to all the Dfers and FB Rock Legends Cruise Fans and FB Rock Legends Cruise Party’ers!)

Judy Diaz, DON'T MISS OUT! Judy Diaz, DON'T MISS OUT!

This was our first RLC, we REALLY wanted to do this one because of Uriah Heep and The Circle. The fact that Steppenwolf, Blue Oyster Cult, and Bad Company were on it also just sweetened the pot. It was our first time seeing Todd Rundgren, Gary Hoey, Quiet Riot, Artimus Pyle and Elvin Bishop, who were all great! We caught parts of some of the other bands and unfortunately some not at all. We didn’t leave the ship at all because there just too much GREAT music!
The artist we met were all very nice. Loved the Meet and Greets. And now we have new bands to follow.
My only complaints ( and they wouldn’t stop my husband and I from returning) were the saving of the chairs with towels, and the staff in the buffet room seemed ill equipped to handle the crowds, which were predictable. Also, I thought the buffet room should have had longer daytime hours, that would have helped with tables not available. But we weren’t there for the food or the destination. We were there for the non stop music. Gary Hoey and the All Star Jam was the best surprise, we didn’t move for 3 hours, didn’t want to miss a second of that great show. Gary was a terrific host.
We will be back! Oh and fun swag too!

Beckie Webster, Terrific Beckie Webster, Terrific